Jan Van Eyck
1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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Jan Van Eyck Man in aRed Turban oil painting


Man in aRed Turban
mk247 1433,oil on wood,10x7.375 in,26x19cm,national gallery,london,uk
Painting ID::  55930 		Jan Van Eyck
Man in aRed Turban
mk247 1433,oil on wood,10x7.375 in,26x19cm,national gallery,london,uk
   
   
     
Jan Van Eyck Portrait of Giovanni Arnolfini and His Wife oil painting


Portrait of Giovanni Arnolfini and His Wife
mk247 1434,oil on wood,32x23 in,82x59.5 cm,national gallery,london,uk
Painting ID::  55933 		Jan Van Eyck
Portrait of Giovanni Arnolfini and His Wife
mk247 1434,oil on wood,32x23 in,82x59.5 cm,national gallery,london,uk
   
   
     
Jan Van Eyck kaniken van der paeles madonna oil painting


kaniken van der paeles madonna
mk248 att kanikens glasogon aterges i malningen ar en intressant detalj. van eyck bade som valbargad man med kontakter i de bogsta kretsar nastan sakert tillgang till optiska bjalp medel speglar ocb linsr for sitt bildskapande.
Painting ID::  56682 		Jan Van Eyck
kaniken van der paeles madonna
mk248 att kanikens glasogon aterges i malningen ar en intressant detalj. van eyck bade som valbargad man med kontakter i de bogsta kretsar nastan sakert tillgang till optiska bjalp medel speglar ocb linsr for sitt bildskapande.
   
   
     
Jan Van Eyck makarna arnolfinis trolovning oil painting


makarna arnolfinis trolovning
mk248 det beromda portrattet forestaller med storta sakerbet inte makarna arnolfini folkbokforingen ilille visar att giovanni arnolfini ingick aktenskap frst 1447. tretton ar efter malningens tillkomst. men vem ar da den gron gronkladda kvinnan en teori tar fasta pa arnolfinis allvarstyngdsel ocb foreslar att malningen ar en tribut till ett tidigare forballande.som slutat med kvinnans dod i barnsang. den beliga margareta, barnbordens skyddsbelgon. ar snidad pa sangstolpen, ocb i kandebern brinner ett ensamt votivljus for att den doda moderns sjal ska fa ro.
Painting ID::  56683 		Jan Van Eyck
makarna arnolfinis trolovning
mk248 det beromda portrattet forestaller med storta sakerbet inte makarna arnolfini folkbokforingen ilille visar att giovanni arnolfini ingick aktenskap frst 1447. tretton ar efter malningens tillkomst. men vem ar da den gron gronkladda kvinnan en teori tar fasta pa arnolfinis allvarstyngdsel ocb foreslar att malningen ar en tribut till ett tidigare forballande.som slutat med kvinnans dod i barnsang. den beliga margareta, barnbordens skyddsbelgon. ar snidad pa sangstolpen, ocb i kandebern brinner ett ensamt votivljus for att den doda moderns sjal ska fa ro.
   
   
     
Jan Van Eyck Roland s Madonna oil painting


Roland s Madonna
mk255 for in 1435. 0.66 x 0.62 meters canvas. Paris, the Louvre
Painting ID::  57283 		Jan Van Eyck
Roland s Madonna
mk255 for in 1435. 0.66 x 0.62 meters canvas. Paris, the Louvre
   
   
     
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     Jan Van Eyck
     1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.

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